All Abraham Bloemaert Oil Paintings

(1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp.
 

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Abraham Bloemaert Landscape with the Ministry of John the Baptist. oil painting


Landscape with the Ministry of John the Baptist.
Pintura identificación::  65890
Landscape with the Ministry of John the Baptist.
ca. 1600(1600) (1590-1610) Oil on canvas 139 188 cm (54.72 x 74.02 in)
   
   
     

Abraham Bloemaert Landscape with fruit and vegetables in the foreground oil painting


Landscape with fruit and vegetables in the foreground
Pintura identificación::  65903
Landscape with fruit and vegetables in the foreground
after 1614(1614) (1614-1699) Oil on canvas 39 cm x 50 cm
   
   
     

Abraham Bloemaert Vertumnus and Pomona oil painting


Vertumnus and Pomona
Pintura identificación::  71422
Vertumnus and Pomona
Date 1620 Medium Oil on canvas Dimensions 98 x 125 cm (38.58 x 49.21 in)
   
   
     

Abraham Bloemaert Shepherd Boy Pointing at Tobias and the Angel oil painting


Shepherd Boy Pointing at Tobias and the Angel
Pintura identificación::  72133
Shepherd Boy Pointing at Tobias and the Angel
Abraham Bloemaert - Shepherd Boy Pointing at Tobias and the Angel - 36 1/4 x 46 3/8 in. (92,08 x 117,79 cm) - Oil on canvas - Minneapolis Institute of Art
   
   
     

Abraham Bloemaert Berger montrant Tobie et l Ange oil painting


Berger montrant Tobie et l Ange
Pintura identificación::  73746
Berger montrant Tobie et l Ange
92,08 x 117,79 cm - Huile sur toile - Minneapolis Institute of Art Date c. 1625-1630 cyf
   
   
     

  2  3   PROXIMA
ARTISTA PREVIO       PROXIMO ARTISTA     

     Abraham Bloemaert
     (1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp.

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